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on the first part of that. >> democracy now! questions u.s. climate negotiator jonathan pershing about criticism of the failure to do more to cut emissions and save the planet from catastrophic climate change. we will speak with ronny jumeau and martin khor of the south centre in malaysia, and then anjali appadurai. >> you have been negotiating my whole life, you have failed to meet targets and a broken promises. >> a year after calling on world figures to do more to save the planet, the 22-year-old american college student was banned from the climate talks here in doha for the first week. she joins us today h. then we look at how the koch brothers are influencing climate policy.politic this is democracy now!, democracynow.org, the war and peace report. i'm amy goodman. the death toll from a massive typhoon in the southern philippines has doubled to more than 270 people. typhoon bopha is the most southerly typhoon ever recorded in the western pacific and the strongest to hit the philippines this year. 80,000 people have been forced to flee their homes. we will have more from doha after
killed in a u.s. drone strike in the pakistani region of north waziristan. the attack targeted a home with a pair of missiles. pakistani intelligence says the victims were suspected militants. the syrian government is accusing western leaders of drumming up support for foreign military intervention by invoking a month on fears of chemical weapons. this week, president obama warned president bashar al-assad against chemical weapons, about an unspecified consequences. speaking to leaders in brussels, hillary clinton followed suit. >> our concerns are that an increasingly desperate assad regime may turn to chemical weapons, or may lose control of them to one of the many groups that are now operating within syria. so as part of the absolute unity we have on this issue, we have sent an unmistakable message that this would cross a red line. those responsible would be held to account. >> in response to the threat, assad's regime has assisted it will not use chemical weapons against its own people, calling an assertion to the contrary to a pretext for intervention. >timothy geithner is says t
instruction in the use of oils. when the civil war began, harper's commissioned the artist to depict life at the front. roving behind the lines with the potomac army, homer produced a series of closelybserved studies of camp life. homer's paintings of this period have an anecdotal or literary quality in keeping with the traditions of magazine illustration, but he also places new emphasis on pictorial design and the purely visual character of a scene-- qualities typical of the photographs of mathew brady and others. like the photographers of the civil war, whose equipment made action scenes impossible, homer preferred static group formations, and yet the feeling of directness in recording the ordinary lends to his work a special force. prisoners from the front, with its profound sense of the resignation, exhaustion, and human cost of war, evoked the admiration of both critics and the public and brought homer his first recognition as an artist. paris, december 1866. homer arrived for an extended visit and to see prisoners from the front and another of his civil war paintings that had been s
. >> there's been a longstanding shift in north america and europe toward para militarize policing using helicopter-style systems, using infrared sensors, using really, really heavy militarized weaponry. that has been longstanding fuelled by the war on drugs and other sort of explicit campaigns. more recently, there has been a big push since the end of the cold war by the big defense and security and i.t. companies to sell things like video surveillance systems, things like geographic mapping systems, and even more recently, drone systems that are being used in the assassination raids in afghanistan and pakistan and elsewhere. >> that is stephen graham, author of, "cities under siege: the new military urbanism." your final comment? expressing weaponization in the way we live. policing is one of the most obvious and current examples in that. i would suggest the pervasive development of john technology around the world that we are saying are being used for all sorts of purposes is really the thin edge of the wedge when it comes to these issues. we're going to see greater and greater weapon
's the word he used - the stoniness, the blockiness, the sort of rough eloquence of ancient mexican statuary. (narrator) in 1930, moore wrote: "the sculpture that moves me most is full-blooded and self-supporting. its forms are completely realized and work as masses in opposition. it is strong and vital, giving off something of the energy of great mountains." (narrator) with success came increased self-assurance. in the summer of 1929, he married irina radetzky. moore stopped teaching and began to concentrate on his own work, and he sought out the leaders of surrealism. he met pablo picasso in paris. the ideas underpinning works like picasso's figure carrying a stone began to filter into moore's sensibility, emerging as the four-piece composition. alberto giacometti was also an influence. the swiss sculptor was exploring an abstract style - part biology, part geometry - in works like woman. moore responded with a carved, abstracted head. he continued to explore surrealism and its exploration of what lay beyond the boundaries of logic and reason. moore joined the loose association of british
Search Results 0 to 4 of about 5